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The lead, Louis Ashbourne Serkis, is the son of Andy Serkis and Lorraine Ashbourne - he's capable, talented, and does a good job playing the role of the reluctant hero. The whole "Motorball" element, for example, feels strangely underdeveloped - we keep expecting it to be more important than it ultimately is.
She moves between the tables and tries to get attention. Various items of evidentiary value were taken when a search warrant was executed on Colburn's home. Diminishing the importance of the love story from a key element to a throw-way subplot allows director Adam Shankman to fully focus on the theme of gender equality.
But he only looked confused. Without a follow-up, the character's story will be left incomplete - another example of filmmakers whose hubris about the inevitability of sequels will likely leave fans high and dry.