In Fable II, the rigid emphasis on labeling and clear distinction between identity categories shifts. This is a very neoliberal approach to representation that puts responsibility for diversity onto audiences. This makes same-sex romantic pairings possible but it does not reduce such pairings to identity labels.
Here when I discuss gender without distinguishing it from sex it is because performance clothing, gait, etc. At first glance, the fact that the game treats gender transformation as a reward might seem like a positive step in transgender representation.
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Gender choice in games is almost always binary and collapses gender and sex into a single entity. The options are relatively androgynous and largely only marked as gendered by the blue and pink borders around the images and clothing colors see below.