Critical reception was mixed, but Jolie's performance in the titular role was singled out for praise;  The Hollywood Reporter critic Sherri Linden found her to be the "heart and soul" of the film, adding that she "doesn't chew the estimable scenery in Maleficent—she infuses it, wielding a magnetic and effortless power. Critics, however, dismissed it as a "vanity project," as part of an overall poor reception. She also won her first Screen Actors Guild Award.
She also served as producer under her Jolie Pas banner. Jack Mathews of the Los Angeles Times wrote of her performance, "It took a lot of hogwash to develop this character, but Jolie, Jon Voight's knockout daughter, has the presence to overcome the stereotype.
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The film met with mixed reception from critics, and Jolie's character—Thornton's seductive wife—was particularly criticized; writing for The Washington Post , Desson Howe dismissed her as "a completely ludicrous writer's creation of a free-spirited woman who weeps over hibiscus plants that die, wears lots of turquoise rings and gets real lonely when Russell spends entire nights away from home. Professional expansion Jolie at the Cannes Film Festival After directing the documentary A Place in Time , which was distributed through the National Education Association ,  Jolie made her feature directorial debut with In the Land of Blood and Honey , a love story between a Serb soldier and a Bosniak prisoner, set during the —95 Bosnian War.
Since its founding at the Clinton Global Initiative 's annual meeting in September , she has co-chaired the Education Partnership for Children of Conflict, which provides policy and funding to education programs for children in conflict-affected regions.
In addition to directing the film, she co-wrote the screenplay with her longtime friend Loung Ung , whose memoirs about the regime's child labor camps served as its source material. The compound includes schools, roads, and a soy milk factory, all funded by Jolie. She first starred in the thriller Taking Lives as an FBI profiler summoned to help Montreal law enforcement hunt down a serial killer.
In her expanded role, she was given authority to represent Guterres and UNHCR at the diplomatic level, with a focus on major refugee crises. Jolie portrayed Wallace's second wife, Cornelia , a performance Lee Winfrey of The Philadelphia Inquirer considered a highlight of the film.