One can see the master touch of a director whose Canadian viewpoint and perspective on American life reveals much about the dark underside of that society. But Cronenberg's style has definitely drawn sincere realism to one of the best movies of the year.
He returns and instructs his partner to go back into the office for some cold bottled water. Was it really necessary to show the blown apart skull of one of the victims while he lay twitching on the ground?
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And, can somebody PLEASE explain why, just because some ex-thug knows how to fire a gun he can instantly turn into Bruce Lee when confronted with several well-armed opponents.
Although he has successfully defeated all threats to his idyllic life, has Tom Stall destroyed ultimately destroyed that life in his attempts to keep it? The first 5 minutes are predictable and from there it disintergrates before your very eyes.
Ed Harris and Viggo Mortenen give especially bad performances, but they may not have had much to work with in the beginning. Cronenberg plays the audience like a fiddle for an hour and a half, taking our desensitization against violence on film and throwing it in our faces so that we can no longer look away.
Initially they thought to shoot in a real hospital, but it was better to remove the walls and use lighting on a set. Do not see this movie. One can see the master touch of a director whose Canadian viewpoint and perspective on American life reveals much about the dark underside of that society.
That means that she bring subtlety, complexity, and possibly the difficulty of her character. There's a message there, and it's deep, no doubt, but morals At one point, Ed Harris says something like "You're trying to hard to be this other guy; it's painful to watch.